January 28th, 2016
The other day, while listening to KCRW’s weekday program, Morning Becomes Eclectic, I was listening to a new Coldplay song called “Major Minus”, a big and absorbing musical tapestry that you can get lost in. I also thought about the film premiere of the Electric Daisy Carnival on Hollywood Boulevard the other night, where Kaskade and Jason Bentley were deejaying and the crowd went over the edge. Several people got hurt but most had a great time.
Then I saw a picture taken the other day at the El Rey performance of the punk rockers Pink Eyes, where the lead singer was handing the microphone over to an ecstatic fan held aloft in the mosh pit.
It occurred to me that all three musical items, the Coldplay song, the Pink Eyes show, The Electric Daisy Carnival were modern day versions of the Dionysian concept from Greek mythology that was revived by Nietzsche’s book The Birth of Tragedy.
Let me explain: According to Greek mythology, both Dionysus and Apollo are songs of the über god Zeus. Dionysus is the god of wine, ecstasy, and intoxication. Dance. Body. Music.
Apollo is cerebral: the god of the sun, reason, and dreams. Head music. Music to meditate or levitate by.
I listen to a lot of classical music and jazz. Bach, Beethoven, Ravel, Debussy, Coltrane, Miles Davis. Also tropical latin music by Tito Puente, Tito Rodriguez, Celia Cruz, and others. I like dancing to Latin music, but have to remember various steps and combinations moves. And as listeners to my KCRW shows know, I love the Brazilians too: Jobim, Dori Caymmi, Gal Costa, and many others.
I guess my preferences run more to the Apollonian. I sit in my living room, enjoy a glass of wine, and focus my listening on these artists regularly. I sit still in the sweet spot, focus on the music, and absorb the beauty.
The Electric Daisy Carnival, Kaskade, electronic music, the Coldplay song, raves, mosh pits are a collective flight into ecstasy, where people happily leave their normal senses behind and become engulfed in music. Ecstasy, after all, means “out of body”. It can and does get wild. That’s the essence of the Dionysian experience.
Apollonian involves stillness and thinking. Dionysian involves movement, dancing, individual and collective trance and ecstasy. The later sufi works of John Coltrane are a combination of both—works like A Love Supreme and Ascension seek closer union with the Divine. Ditto for works of the late qawwali (qawwali=sufi music from Pakistan) singer Nusrat Fateh Ali Khan.
I guess I enjoy both musical experiences, but my musical lifestyle tends to be more Apollonian than Dionysian. Which one defines your musical preference?
Tom Schnabel, M.A.
Chevalier de l’Ordre des Arts et des Lettres
Blogs for Rhythm Planet
Author & Music educator, UCLA, SCIARC, currently doing music salons
One response to “Apollonian v. Dionysian Music Experience”
Thank you for sharing