Tag Archives: Innovation

Dispatches from Tokyo, Japan

March 21, 2013

1 asakusa sensoji 2011b

Ever heard of the Thiel Fellowship 20 Under 20? Neither had I until I settled in my seat on board the United Airlines flight from Tokyo to Los Angeles and watched the 90 minute documentary “20 Under 20: Transforming Tomorrow”. The Thiel Fellowship is the brainchild of billionaire venture capitalist Peter Thiel who thinks students with big ideas need to have the freedom to pursue them. He does not believe that education is needed to innovate. Instead, he believes that innovative ideas need to be acted upon right now and not be put off into the future after a college degree has been earned. Thiel’s mission is to offer students a chance to trade school for Silicon Valley. The Thiel Fellowship “encourages lifelong learning and independent thought” to 20 candidates under the age of 20 by offering them each $100,000 and two years free to pursue their dreams. The decision these young people have to make is drop of out of some of the most prestigious universities in the U.S. or Canada for two years to pursue their vision. This is a big risk they are to take, as there’s no guarantee that their idea is going to take off. But we need some people to take risks on some big ideas if we want innovation to happen.

Having just spent two weeks in Hong Kong and Tokyo, this idea of dropping out of college and stepping into an entrepreneurial venture is the antithesis of what students from the Asia-Pacific region are raised and educated to follow. While the young high school graduates from for example China, Hong Kong, Japan, S. Korea are preparing themselves for admission to the top 10 universities in the U.S., their counterparts, at least those aspiring to qualify for the Thiel Fellowship are making the giant leap of dropping out of the very colleges these students are coveting and stepping into the entrepreneur’s abyss. A Chinese, Japanese, or Korean student returning back to his/her home with a degree from one of the top 10 U.S. universities expects to find a better job with higher pay and enjoy the prestige that comes with having a degree from a brand name institution.

This idea of fostering innovation is what we’ve been conditioned to believe is the very function of our institutions of higher education alongside acquiring a rounded liberal arts education. But does innovation truly need a degree to be realized? Certainly that was not the case for innovators like Steve Jobs (Apple), Bill Gates (Microsoft), Mark Zuckerberg (FaceBook) who dropped out of college to pursue their entrepreneurial dreams. For a list of other successful college-drop-out entrepreneurs click on this link: http://www.youngentrepreneur.com/blog/100-top-entrepreneurs-who-succeeded-without-a-college-degree/

In Tokyo, as was the case in Hong Kong, students in elite schools are preparing themselves for university at an early age by round the clock tutoring, test prepping, cram schools, and foregoing holidays and summer vacations with more of the same. A Hong Kong colleague with two small children under the age of five complained about the pressures put upon parents to begin preparing portfolios of their children’s accomplishments when they’re as young as two!

One thing I learned while in Japan is that with the decline in birthrates and the slowing of their economy, Japanese students and their families are no longer looking at U.S. institutions to pursue higher education. Those who can afford to are looking at the top 10. Just like Hong Kong, the Japanese want to send their children to Harvard, Yale, MIT or Stanford. Otherwise, they are perfectly content with staying in Japan and enjoying a comfortable standard of living.

Having briefly browsed through markets and grocery stores in Tokyo, I was humbled by the overwhelming abundance and varieties of produce, vegetables and fruits. They certainly made our WholeFoods markets look like second-rate grocery stores. Of course, the impeccable displays and packaging at the Japanese markets can make the most humble looking orange or broccoli look like a gift from the heavens. Mind you all this beauty and presentation comes with a high price, which can also be said for Whole Foods, though nothing comes even close to the űber attentive service and staging offered at the Japanese stores.

The lack of litter on the streets and sidewalks in Tokyo or in its subways was also a remarkable sight to experience, as was the fact that no one locks their bicycles left on racks alongside buildings. As a non-Japanese speaker, I was heartened to see subway signs, automated ticket machines, restaurant menus in both Japanese and English. Contrary to what I had heard from those who had visited Japan a decade or so ago, more Japanese seem to have a basic understanding of English and those I’d randomly approached on streets for direction were more than happy to help in English. In fact, on a subway ride to Asakusa, to visit the famous Senso-ji (Buddhist Temple) and market, my colleague, Zepur Solakian with CGACC (Center for Global Advancement of Community Colleges) and I had a lovely chat with a Japanese family and their two children, a boy of about eight and a girl of twelve who spoke English. When we asked them where they learned their English, the young girl told us they both started in the kindergarten at the Little Angel Academy & Kindergarten in Tokyo. (An interesting side note on this school’s teaching methodology is that it offers early education based on the Indian curriculum. “The school teaches Indian Mathematics in English and uses English drills to teach English. However, it combines both Japanese and Indian methods of education at the preschool stage.”)

We also learned from an American colleague in Tokyo, that some Japanese are turning in their Green Cards at the U.S. Embassy seeing no future need of holding onto their residency permits in the U.S. They are perfectly happy living and working in Japan. If anything, it is the international students living in Japan—the children of ex-pats or of Japanese-American parents—who are interested in studying in the U.S.

Earlier, while I was in Hong Kong attending the APAIE (Asia-Pacific Association of International Education) conference, where Zepur and I were presenters on a panel discussing partnerships and collaboration between U.S. community colleges and higher education communities in the Asia-Pacific, I was overwhelmed by the aggressive growth of higher education institutions in the region and their desire to become more global in their reach. I was a little crestfallen, thinking that the U.S. had lost its competitive edge and that the Asia-Pacific region had had us beat and ahead. Apparently I’m not alone in this observation, when I asked Zepur on her thoughts, here’s what she had to say: “In the past 18 years I have seen East Asia region transform and grow and embrace globalization; the enormity and magnitude of which can only be understood when witnessed… the written word or videos can only attempt to describe/convey what is really going on.”

But I shall remain optimistic. If the “20 Under 20” student-entrepreneurs I saw in the documentary on the Thiel Fellowship is any indication, innovation and thinking outside of the box—the hallmark of American ingenuity—is alive and well.

I’m not convinced that a college education is worthless or has little or no merit. But I also see the importance and value of creating an environment free of the traditional academic rigor and structure, like the two-year time-frame of the Thiel Fellowship to support innovation. According to Peter Thiel “the greatest challenge of the 21st century for US is to find a way to go back to the future and to go back to the time when people believed in progress and in the ability of technology to transform our society radically for the better.” Fresh new ideas need to be fostered and nurtured immediately rather than postponed. A combination of a life-long learning and independent thought with academic instruction may be just what the U.S. needs to stay competitive and relevant in today’s global market in education and business.

Jasmin S. Kuehnert
President & CEO ACEI
www.acei1.com

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Adversity and Ingenuity: Partners in Creation

October 11, 2012

Human beings have shown amazing ingenuity in fashioning musical instruments, often in less than ideal conditions. Many of these instruments were conceived and designed by people at the bottom of the social spectrum, most of whom were slaves in the Americas. Here are four examples that demonstrate amazing creativity by people who managed to make very distinctive music:

1) Cuba: Claves
The claves, or rounded hardwood sticks, were fashioned from pegs used by slave shipbuilders in Havana and Matanzas. The rapacious Spanish had built so many ships to ferry trade (and slaves) in Seville that their forests were depleted. So they moved the shipbuilding to Havana, where the abundant forests offered superior hardwood. Hardwood supplies guaranteed ample ship production, and during construction pegs from Havana’s forests were used fasten the boat parts together (nails would have rusted and not been strong enough anyway).
Some smart slave workers picked up some pegs, hit them together, and there was the magic sound that has helped fuel the percussion section of great tropical Latin orchestras ever since. All this from discarded scraps left on the ground.

 

 

 

 

 

 

 

 

2) Trinidad and Tobago: Steel Drums

A similar phenomenon occurred in Trinidad and Tobago, where the big oil companies would discard large oil drums and let them rust. Sometimes the groups were named after the oil companies; a famous pan orchestra was called the Esso Steel Orchestra.
But the genesis of steel pans actually started long before the industrial revolution mandated the need for and production and distribution of oil. During the French Revolution of 1789–according to Wikipedia’s entry on steel pans–slaves working for French planters in Haiti and Martinique emigrated to Trinidad, before the British arrived. The West African slaves were not allowed to participate in Carnival, so they created their own parallel carnival festival, called canboulay. They used bamboo and other wooden sticks, beating on frying pans, trash can lids or whatever they could find. In 1880 percussion music was banned by the British colonial authorities.
Later, during the 1930s, however, finding discarded oil drums plentiful and cheap, black Trinidadians started using those. Steel bands became famous, a popular Carnival staple, and a magnet for tourists as well.
What is amazing here is that the instrument they crafted from a crude, dirty oil barrel became such a refined and sophisticated instrument. These instruments could play a three octave chromatic western scale. Today steel bands play music by Miles Davis, Beethoven, Brubeck, and Bach. I have recordings of both Handel’s and Beethoven’s Ode to Joy, performed by a large orchestra of different-sized drums.
Whoever would have thought scrap metal could produce such a magical sound, one used in carnival celebrations ever since.

 

 

 

 

 

 

 

 

 

3) Brazil: Berimbau

The distinctively Brazilian berimbau actually descended from archers’ bows used by the pygmy hunter-gathers in Eastern Congo. When slaves went from Angola and Congo to Brazil, they re-fashioned these hunter’s bows, attaching a gourd and enlarging them. It is a most distinctive twang, and has been featured in northeastern Brazilian music, in capoeira, the martial arts dance, and the great Baden Powell and poet Vinicius de Moraes wrote a beautiful and famous song named after it.

 

 

 

 

 

 

 

 

 

4) Brazil: Forró: Triangle
I don’t know if the Brazilians in northeastern Brazil knew about the use of the triangle in European orchestras or as an instrument used to summon cowboys to dinner in western movies, but after the British started building railways in the 19th century, they left a lot of scrap iron around. Some enslaved blacksmith (Brazil only ended slavery in 1888, later than any other country) took some of this scrap metal, and beat it, shaped it, tempered and tuned it. The triangle has been used in Brazil ever since, especially in Pernambuco state, forming 1/3 of the rhythm section found in local bands (the other two instruments are the sanfona, or button accordion, and the surdu, or large drum).

 

 

 

 

 

 

 

 

These are just four examples of human ingenuity applied to music. There are countless other equally imaginative and remarkable examples in the other arts and sciences. It’s a phenomenon that distinguishes us homo sapiens and an occasion to celebrate our creative intelligence and endless imaginations.

Tom Schnabel, M.A.
Chevalier de l’Ordre des Arts et des Lettres
Host of music program on radio for KCRW Sundays noon-2 p.m.
Blogs for KCRW
Author & Music educator, UCLA, SCIARC, currently doing music salons
www.tomschnabel.com

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Education As We Know It: Time to Review, Revise & Upgrade

December 8, 2011

classroom

There’s been a great deal of talk lately about the value of education whether at the elementary, secondary or college level. People are starting to wonder whether a college degree is worth the tuition required to earn one. The education system as we know it is no longer working. Some education leaders think a complete overhaul of the entire system is overdue.

According to Sir Ken Robinson, an internationally recognized leader in the development of education, creativity and innovation, the education paradigm needs to be changed ASAP. He sees today’s school-age children and college students as seriously doubting the purpose of education. They are hopeless and disenchanted. And for those considering a college education, many are beginning to question the value of their degree. They don’t feel that a degree offers any guarantees like it did in the past.

Sir Robinson has a point and it is cleverly illustrated in this video which shows that the current system of education was designed for a different time and age. It was conceived during the age of enlightenment, at a time where the concept of compulsory public education funded by taxation was novel and revolutionary. Prior to the 19th century there were no public schools as we know it. Only those from affluent families were able to afford education, albeit through private tutors.

Sir Robinson brings up another point which is that our educational system and even the physical design of its architecture is modeled on the “interest and image of industrialization.” He suggests that by stepping back and taking a look at our schools we can see that they are “designed to run like factory lines, ringing of bells, separate facilities, where we educate children by batches, by age group.” By dividing and isolating the students and judging them separately we are in fact separating them from their “natural learning” environment. Most great learning, according to Sir Robinson “occurs in groups through collaboration.”

He asks a very good question: why do we teach our children by age group? Since children of the same age group respond and perform differently to different subjects. What’s the logic behind this? Is it about conformity and standardization? Is the structure of our current education model compatible with the age of technology? Are we preparing our children with the skills and knowledge necessary to survive in today’s globally-interconnected economy? Are all these standardized tests really necessary? I wonder. What do you think?

The Frustrated Evaluator
www.acei1.com

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